Thursday 28 February 2013

Mama

Mama


Director: Andrés Muschietti
Written by: Andrés Muschietti, Barbara Muschietti, Neil Cross 
Photography: Antonio Riestra 
Starring: Jessica ChastainNikolaj Coster-Waldau, Daniel Kash
Country: Spain, Canada
Year: 2013

Mama started life as a short film of the same title which found itself under the gaze of Pan's Labyrinth director, Guillermo Del Toro. The director of the original short, Andrés Muschietti, returns to make his first feature length film. 

Two young girls, one three and the other one, are abandoned by their father in a cabin in the woods of West Virginia after he has murdered their mother brutally. The girls are discovered five years later, still alive, but living like animals after a long search funded by the girls' Uncle, played by Nikolaj Coster-Waldau. The older girl pins their survival on the assistance of an imaginary maternal figure called Mama. After some psychological tests, the Uncle wins custody of the children and they are sent to live with him along with his pedophobic girlfriend, Jessica Chastain . It's not too long before we question whether Mama is really imaginary and whether she may have followed the girls. 

Mama is fundamentally a horror film, but in true Del Toro fashion it poses itself as a kind of modern day fairy tale. As a horror film Mama isn't the most original, it's really just another hunted house film. There's original stuff in there that deserves applauding but even as someone who isn't too well versed in contemporary horror I can tick off every cliche as they come.    

The film is surprisingly well shot with some great Hitchcockian direction. Perhaps this is too soon to say, but I think Muschietti is someone you should be getting really excited about. If the quality of work goes up from here he could be one of the next great directors.   

It should be hard adjusting to Jessica Chastain in this role as a distant punk with rock star dreams straight out of Zero Dark Thirty, but she is such a chameleon actor and slips right into the role. 

The film is really about mother and daughter relationships leaving any male characters expendable. Although that's clearly a fault with the film, It's refreshing to type as it's usually the other way around. 

The most important question to ask when looking at a horror film is 'is it scary?' And, yes, Mama is scary. Some attempts at jump scares are met only with laughter but for the most part I was kept on edge.    

Mama provides as many genuine scares as it does cliques, despite some dodgy CGI the film is really beautifully shot and it's decently enjoyable up to its ridiculous and unrewarding ending. In all Mama is your standard three star horror film.      
            

Tuesday 5 February 2013

Blind Spot Series 2013: #1: Whisky Galore!

Whisky Galore! 


Director: Alexander Mackendrick 
Written by: Compton MacKenzie, Angus MacPhail 
Photography: Gerald Gibbs
Starring: Basil Radford, Joan Greenwood, Gordon Jackson. 
Country: UK 
Year: 1949


Based on the novel by Compton Mackenzie, which itself was inspired by true events. Whisky Galore is set on the small and fictional Calvinist island of Todday in the Outer Hebrides.  Depression hits the island hard when they're temporally deprived of Whisky. To their luck, a cargo ship carrying 50,000 crates of Whisky runs dry just off the coast of the island. Though unfortunately this being an strong Calvinist community and consequently Sunday observers, the male islanders have to wait patiently till the clock strikes midnight before they can go and fetch their precious whisky. 

The film is a child of the legendary British film studio, Ealing and director Alexander Mackendrick. Unusual for an Ealing film, Whisky Galore! is shot primarily on location, specifically on the Isle of Barra. This was Mackendrick's first film as a director who went on to make other such classics as The Ladykillers and Sweet Smell of Success. It's interesting to note that Mackendrick is indifferent about Whiskey Galore! and he doesn't understand is lasting popularity. But then what do directors know about their own films, Woody Allen hates Manhattan. 

The film was released in 1949, WW2 had been over for five years but rationing was still in place, meaning for it's original audience would have found in the islanders a sense of relatability and aspiration. What would have also applied to it's audience at the time was the Islanders cunning deception and victory against the English commander of the local home guard, Captin Waggett who represents the petty bureaucracy of the time.        

That's not to say that Whisky Galore has lost it's value, it hasn't, it's still wonderfully funny and there are some fantastic performances especially from Basil Radford (perhaps most famous for his role in Hitchcock's The Lady Vanishes) and Gordon Jackson. 

It's interesting how Whiskey Galore deals with it's own clouded morality. This is after all a film about a group of islanders who successfully steal thousands of bottles of whisky. Which might explain why an appendix is hastily added saying how the price of whisky inflated so much that nobody could afford it and they all became depressed.                

The last quarter of the film doesn't hold up to the previous three, it feels rushed and just a little bit silly. It's a shame because everything before it was so strong. 

So in conclusion Whisky Galore is a great fun film and I did enjoy it, but to me it doesn't hold up to great Ealing films the likes of The Ladykillers.     

To view all films of the Blind Spot Series 2013 list click here