Showing posts with label Comedy. Show all posts
Showing posts with label Comedy. Show all posts

Tuesday, 5 February 2013

Blind Spot Series 2013: #1: Whisky Galore!

Whisky Galore! 


Director: Alexander Mackendrick 
Written by: Compton MacKenzie, Angus MacPhail 
Photography: Gerald Gibbs
Starring: Basil Radford, Joan Greenwood, Gordon Jackson. 
Country: UK 
Year: 1949


Based on the novel by Compton Mackenzie, which itself was inspired by true events. Whisky Galore is set on the small and fictional Calvinist island of Todday in the Outer Hebrides.  Depression hits the island hard when they're temporally deprived of Whisky. To their luck, a cargo ship carrying 50,000 crates of Whisky runs dry just off the coast of the island. Though unfortunately this being an strong Calvinist community and consequently Sunday observers, the male islanders have to wait patiently till the clock strikes midnight before they can go and fetch their precious whisky. 

The film is a child of the legendary British film studio, Ealing and director Alexander Mackendrick. Unusual for an Ealing film, Whisky Galore! is shot primarily on location, specifically on the Isle of Barra. This was Mackendrick's first film as a director who went on to make other such classics as The Ladykillers and Sweet Smell of Success. It's interesting to note that Mackendrick is indifferent about Whiskey Galore! and he doesn't understand is lasting popularity. But then what do directors know about their own films, Woody Allen hates Manhattan. 

The film was released in 1949, WW2 had been over for five years but rationing was still in place, meaning for it's original audience would have found in the islanders a sense of relatability and aspiration. What would have also applied to it's audience at the time was the Islanders cunning deception and victory against the English commander of the local home guard, Captin Waggett who represents the petty bureaucracy of the time.        

That's not to say that Whisky Galore has lost it's value, it hasn't, it's still wonderfully funny and there are some fantastic performances especially from Basil Radford (perhaps most famous for his role in Hitchcock's The Lady Vanishes) and Gordon Jackson. 

It's interesting how Whiskey Galore deals with it's own clouded morality. This is after all a film about a group of islanders who successfully steal thousands of bottles of whisky. Which might explain why an appendix is hastily added saying how the price of whisky inflated so much that nobody could afford it and they all became depressed.                

The last quarter of the film doesn't hold up to the previous three, it feels rushed and just a little bit silly. It's a shame because everything before it was so strong. 

So in conclusion Whisky Galore is a great fun film and I did enjoy it, but to me it doesn't hold up to great Ealing films the likes of The Ladykillers.     

To view all films of the Blind Spot Series 2013 list click here 

Saturday, 1 December 2012

Silver Linings Playbook

Silver Linings Playbook

Director: David O'Russel
Written By: David O'Russel 
Photography: Masanobu Takayanagi 
Starring: Bradley Cooper, Jennifer Lawrence, Robert De Niro.
Year: 2012
Country: USA 


    
 Picture the scene: I've just half heartedly purchased a ticket for Silver Linings Playbook, I've being forced to listen to the Aladdin OST while the screen fills up, I'm getting funny looks and laughs of people for being on my own and I know already that for two hours I'm going to have to sit through the most cynical piece of Oscar bait since Extremely Load and Incredibly Close.

 But something happened to me during Silver Linings Playbook where my reservations were overturned and I was completely won over by the film.

 Pat, played by Bradley Cooper, is diagnosed a with bipolar disorder and has spent time in a mental facility. Upon release he delusionally believes that is ex-lover is waiting for him to get better before they'll restart their relationship, despite a restraining order. Partly in an attempt to gain a link with his Ex-Wife, Pat strikes a friendship with an old acquaintance, Tiffany (Jennifer Lawrence), now suffering from depression after the death of her husband.

 On paper the film seems very 'Hey let me tug at your heart strings.' And if it was directed by say... Cameron Crowe, it probably would be. But David O'Russel tones the film in an honest and sincere way that when you are effected by it's charm (and you will be) it's all natural.

 I personally see it as wrong to call Silver Linings Playbook a comedy about mental illness. What it is is a human drama, with comic moments where several of the characters are affected by mental illness. One of my concerns while sitting listing to A Whole New World was that the film wouldn't differentiate between being ill and just being quirky, but it was quite the contrary . What I really appreciate is that mental illness isn't the catalyst or the but of any joke. Take any of the jokes delivered by Bradley Cooper and give them to one of the many characters in the film not affected by illness and it would remain just as funny.

 The film is propelled by two central powerhouse performances from Bradley Cooper and Jennifer Lawrence plus two brilliant mediating roles from Jacki Weaver and  Robert De Niro. Even Chris Tucker manages to be oddly engaging.    

  This good hearted winter-warmer makes the perfect film for a Christmas trip to the cinema. And make sure to see it now, because it will be the film everybody's talking about come February.    

Monday, 10 September 2012

Youth in Revolt

Youth in Revolt 

Director: Miguel Arteta.
Written By: Gustin Nash. 
Photography: Chuy Chávez.
Starring: Michael Cera, Portia Doubleday, Ray Liotta. 
Year: 2009.
Country: USA.

 After becoming a household name from the perfect but short lived FOX comedy, Arrested Development, and two of 2007's biggest films, Juno and Superbad, Canadian teen actor Michael Cera became typecast before you could even say Nick and Norah's Infinite Playlist. 

 When it was discovered that Chuy Chávez was releasing an adaptation of the C. D. Payne novel, Youth in Revolt, about a sixteen year old who creates a separate, evil, personality to impress a girl (Portia Doubleday), it seemed we where finally going to see another side of Michael Cera.   

 Nick Twisp (Cera) is sixteen, a geek and a virgin. Though not the traditional geek that's into Magic the Gathering and Superman, but a more new age geek that's into Jean-Luc Godard and Frank Sinatra, sometimes referred to as "Hipster Geeks" which I object to, liking foreign language movies for their artistic value does not make you a hipster. But I digress. When Nick discovers the charming francophile, Sheeni Saunders, he thinks that Nick Twisp isn't enough to win her heart, so he invents himself an evil alter-ego called François Dillinger. The evil François Dillinger isn't much different from the feeble and awkward Nick Twisp, he just has a pencil moustache and a cigarette. Which is fine, it adds comic value and I like Michael Cera so it's okay, it just doesn't do any favours for his career. 

There are some laugh out loud moments in Youth in Revolt, but it falls short of passing the six laugh test for comedies. Youth in Revolt had the potential to be a film for a generation, but instead it will become forgotten in time. It's inspired me to read the book but I can't see me myself ever watching the film again.     
           
 Score: 3/5 

Tuesday, 24 July 2012

The Muppets


The Muppets

Director: James Bobin
Written by: Jason Segel and Nicholas Stoller.
Photography: Don Burgess 
Starring: Jason Segel, Amy Adams and Chris Cooper
Year: 2011
Country: USA 

 I won't lie and say The Muppets was part of my childhood. I don't have any memories of watching The Muppets on a more than sparse occasion. It took me till fifteen to fully differentiate it from Sesame Street.

 But wherever or not I have a personal spot in my heart for the Muppets means nothing. What's important is that the people involved in making it have. And it's clear for the writing that this isn't another cash-in reboot or remake. It's made with love, which is part of makes it such a joy to watch.

 Walter and Gary are brothers and residents of Smalltown, they're extremely close and are very similar. The one big difference being that one's a puppet and the other is a man, played by Jason Segel. Walter came to terms with being a puppet by finding solidarity with his heroes on his favourite TV program, The Muppet Show. Fast Forward to present day and The Muppet Show is no more but Walter and Gary are still as obsessed. Walter accidentally uncovers a plot by the evil Tex Richman (Chris Cooper) and The Moopets to destroy the Muppet Studio. Walter Gary and his 10 year girlfriend Mary (Amy Adams) set off find the Muppets and put on one final show to raise the money to keep the studio open.

 The writing for the most part is charming and funny. It keeps what made The Muppets popular back in the 70s, managing to keep both children and adults entertained with a huge spectrum of jokes while always staying clear of the PG benchmark. Though sometimes the writing feels a little lazy; An evil oil baron called Tex Richman and a small town called Smalltown, it's almost like a James Cameron screenplay.

 I find it hard to judge acting in movies that are playing down to an infant audience because the actors often are too. It's hard to adjust Jason Segel doing this when you're used to seeing him crude post Judd Apatow comedies. 

 They're are a lot of great cameos as there always are in Muppet movies. I won't say who appears because that would spoil it. But to get a grasp of the calibre of celebrities in there; Ricky Gervais, Danny Trejo and Billy Crystal all had their scenes cut out. Though none beat the Orson Welles cameo in the original Muppet movie back in 1979. 

 The musical numbers are fabulous. Written by Bret Mckenzie form Flight of the Concords, the song 'Man or Muppet' won the Oscar for best original song (the fact that only two songs were nominated doesn't take away from its brilliance). Even as a non Muppets fan, Rainbow Connection still makes my heart grow three sizes. It's like The Beatles or hot chocolate, it resonates with everyone.

 The Muppets is the most charming movie I've seen in while, my only disappointment is that it hasn't brought baby blue suits into fashion. 

Score: 4/5

Tuesday, 3 July 2012

Play Time

Play Time

Director: Jacques Tati. 
Written By: Jacques Tati, Jacques Lagrange and Art Buchwald.
Photography: Jean Badal and Andrés Winding.  
Starring: Jacques Tati, Leon Doyen and Georges. 
Year:1967
Country: France 

It's hard to get laughs from French comedies sometimes. films like Le Dîner de Cons are brilliant but you don't get the sense of comic timing when you have to read subtitles. With Play Time you don't get that problem because about 80% of the movie is dialogue free. And half the dialogue that is in it is English.

 Play Time is a charming satire of modern life (Or at least modern life as in was in the '60s). Satire is usually quite fierce and takes a vicious bite, Play Time however is quite quaint and is more like a cheeky poke than a Hang, Drawn and Quartering    

 The first half of the movie, which is the superior half, sees Jacques Tati's recurring character, Monsieur Hulot getting lost in a elaborately designed office block. The second half follows the disastrous opening night of new five star restaurant, that's still under construction. 

 At a glance you might think Play Time as a quirky little French comedy, but it's effectively an epic. Shot on 70mm film and, due to the size of the sets it required, it took three years to produce, starting in 1964. 

 What's incredible about Play Time, much like Star Trek, it predicted so much. For example when Monsieur Hulot is running through the levels of the incomprehensible building, he see's all the workers working solitary in their own tiny square boxes. This was 20 years before the office block structure was introduced into workplaces.

 Play Time is a delightful physical comedy which is wonderfully choreographed. And I can see it becoming an annual viewing pleasure of mine.  

Score: 5/5
   

Sunday, 1 July 2012

Say Anything


Say Anything...

Director: Cameron Crowe. 
Written By: Cameron Crowe. 
Photography: László Kovács.
Starring: John Cusack, Ione Skye and John Mahoney.  
Year: 1989.
County: USA.

 Almost Famous is one of my favourite movies, and with every Cameron Crowe movie I watch I'm hoping for something I can love as much I do Almost Famous. But unfortunately that movie doesn't seem to exist.

  Say Anything... is one of the last teen movies of the 1980s, staring John Cusack in a Jean-Peirre Melville style trench coat trying to gain the love of intelligent, beautiful enigma played by Ione Skye. 

  Say Anything... is at a disadvantage from the start, having to follow teen movies from the past nine years like Sixteen Candles and Fast Times at Ridgemont High. But unlike those movies, Say Anything... creates a more realistic world without any annoying stoner supporting characters or an overly cocky male lead. 

 This is Cameron Crowe's first film, but all his trademarks are already here; His love of music and his tendency to try and violate your emotions (which he does more successfully in this than he does in other films).   

 I was born in '94 and Say Anything... makes still me nostalgic for a time that I wasn't even alive. When you watch the iconic scene of John Cusack holding up the boom-box, you can't help but think how stupid that would look if he was holding an iPod or a Macbook.

 Say Anything... is funny and fresh, it won't give you that Breakfast Club feeling but it does have a lot to offer.

Score: 3.5/5

Saturday, 30 June 2012

Punch-Drunk Love

Punch-Drunk Love

Director: Paul Thomas Anderson. 
Written By: Paul Thomas Anderson. 
Photography: Robert Elswit.
Starring: Adam Sandler, Emily Watson and Philip Seymour Hoffman. 
Year: 2002.  
County: USA.


 Punch-Drunk Love is the fourth film from my man-crush Paul Thomas Anderson. Or PT, as he lets me call him (in my mind).  

 Lets get this straight to star with: Adam Sandler movies suck, in general anyway. And nobody likeable likes Adam Sandler. But Punch-Drunk Love is an exception, as is Funny People and as I understand, although I haven't seen it, Reign Over Me. Surprisingly, he gives a good performance in this, too. Sandler does actually have the capability of being a good actor, but much like Nicolas Cage, has a tendency to overplay his characters.

 The rule of thumb for Adam Sandler movies: If he wrote/directed/produced - avoid. Just acted - probably terrible, small chance it might be good. 

 Philip Seymour Hoffman, who's one of my favourite actors, also stars, although one of my major disappointments with Punch-Drunk Love is that he's not in it nearly enough. I'm really exited to see him and PT Anderson working together again later this year in The Master. 

 As well Phillip Seymour Hoffman it also stars Emily Watson, who I don't always like, but do in this. 

 Paul Thomas Anderson's direction is masterful, he's often crowned as the new Kubrick or new Altman, which are defiantly fair statements. Every part of its direction is fantastic, from stage direction to sound design. 

 Anderson worked on the sound for the movie with composer Jon Brion from pre-production to post to created a fantastic track. There's a drum beat that plays continually for about 10+ minutes that makes you feel like you've been doing half an hour of a treadmill (I imagine, I've never exercised In my life). Near the end I was literally screaming at the screen for it to stop. 

 There's also a interesting use colour in the film. For example Adam Sandler's famous blue suit that he wears throughout represents sadness, red represents danger and white isolation.  

 Romantic-Comedy is a sub-genre that's been tarnished by many terrible rom-coms in a post-There's Something About Mary world. With the abundances of Katherine Heigl movies in cinemas it's sometimes hard to forget that romantic comedies have to potential to be When Harry Met Sally-great (Now is a good time to give thought to the late Nora Ephron). Punch-Drunk Love isn't great, but it's good, and worthy of many laughs and multiple viewings.   

   

Monday, 25 June 2012

Up In The Air

Up In The Air 

Director: Jason Reitman 
Written By: Jason Reitman & Sheldon Turner
Photography: Eric Steelberg 
Starring: George Clooney, Vera Farmiga and Anna Kendrick. 
Year: 2009
Country: USA

 Up In The Air takes American Smart Cinema to a whole new level of class and sophistication. 

 The film starts with a soul/funk cover of Woody Guthrie's This Land Is Your Land by Sharon Jones, which is a song I like, but in the contexts of the opening credits it felt really dreary, so I sat back in my seat expecting a dreadful flight. The first joke of the film is a stewardess saying to George Clooney's character, Jake "Can, Sir?" which he hears as 'Cancer'. 'Oh, God' I thought 'If all the jokes are this bad, I'm going to really hate this film' 

 Fortunately, all the bad jokes were declared at arrival and Up In The Air turns out to be a sweet, enjoyable treat with just that right measurements of comedy and romance. 

 Ryan Bingham is what's know as a Downsizer; he is someone hired by big companies to fire their employees. This profession requires him to fly all across the States and spends most of his life travelling first-class via plane and sleeping alone in five-star hotel rooms - A life he enjoys very much. As well as this he's also a motivational speaker of the Tony Robbins variety. His shtick is that in life you should keep moving, any attachments or possessions you acquire along the way only weigh you down. Ryan's ideal life is in trouble when his company wants to introduce a new GLOCAL strategy, doing the same job, but via webcam in their offices.   

 Jason Bateman plays Ryan's boss in the film. I always enjoy watching Bateman, he's not a great actor but I get some good Arrested Development nostalgia from seeing him. Anna Kendrick fits the role perfectly as a determined post-feminist newbie under Jake's wing. And Vera Farmiga is great too as the love interest, who's basically a female-jake.     

 Zach Galifianakis also makes a small memorable appearance. But the most minor role and possible best performance of the film comes from J.K. Simons. Really makes you question why there isn't an Oscar category for best minor role. 


 Based on a book by the same name by Walter Kim, Up In The Air was co-written and directed by Jason Reitman, son of Ghostbusters' director Ivan Reitman.  Up In The Air isn't as indie or pretentious as Reitman's previous film Juno (Which contrary to what i just said, I did enjoy) it's closer to his début feature, Thank You For Smoking. 

 The film loses its nihilistic persona about half way through the second act and starts to grow a heart, which may leave cynics feeling a little cheated.   

With most of the film taking place in Airports, the film looks stylish, clean and modern. Up In The Air is  timely piece that makes for a pleasant flight. Some occasional strong language and some explicit sexting may meet the disapproval of George Clooney  fan club members who have an mean age of 70, but Up In The Air should have something for everyone over the certificated age.    

  Score: 4/5